Tips For Writing Poetry II

If last week I write about all senses during writing or reading the poetry, now I will write another tips for writing a good poetry.

Have a point. Why are you writing? What is it about? Although not always directly, show your readers the path to the meaning of the poem. Say what you want to say, but still let your readers decide on what the true meaning is.

Have rhythm. To be considered a poem, a writing must have rhythm. Let the meters flow smoothly off the tongue. This doesn’t mean the poem has to have the same number of syllables every line or even every other. It means to allow the reader not to get tongue twisted while going line to line. Give it flow.

Don’t rhyme unless it fits. Not all poems rhyme, in fact the majority do not. Many amateur writers tend to force rhymes where it doesn’t need to be. Only use it when it fits the overall poem and helps bring the emotion to the reader.

Give the poem characteristics. A poem doesn’t always have to fit inside a genre. Make it your own style. Use as much voice as possible. Show that there is a person behind the poem.

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Tips For Writing Poetry I

Writing poetry has always been about emotion; thrilling, bitterness and even humorous. Although it sounds simple enough, it isn’t always. Poetry can be as complicated or as frivolous possible, it’s all up to the author.

Poetry is food for thought and all food has its ingredients.
Writing poetry techniques

Show all senses. A genuine poem offers its readers a variety of senses to endure while reading.

  • Smell. Give the readers a mental smell of the scene. Create a situation where the reader can distinguish between a ‘good’ or ‘bad’ scent.
  • Touch. Is it rough, smooth, pleasurable? Give the reader a way to ‘touch’ the scenery.
  • Sight. What does it look like? Describe the scenery, describe the situation. Use words which will describe it easily without going too far into detail.
  • Hearing. Does it screech? Does it yelp? Or is it smoothing and sensual? Again, let the situation give a sense of what the surroundings sound like.
  • Taste. Is it salty or bitter? It doesn’t always have to be food that has a taste. It could be a situation which leaves a ‘bad taste in your mouth’ or even a good taste.

Other tips will be posted on the second part of the article within a week. So stay tune :)

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Free Poetry Contest Prizes From $1,000 to $10,000

Free poetry contest with prize between $1,000 to $10,000 is available for international contestants. The contest is open to all ages and countries as long as the poetry is original work and all the copyright is belong to the contestant.

For the details you can visit free poetry contest and grab your chance to win $10,000 prize.

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Around

Dear…
There are so much words i want to tell you…
about the river that flow with their confidence
about the stars which blitz my horizon
about the eye which can’t see anything left through the season…

Dear,
when I start felt in you, it was my choice…
when I start crazy about you, I was so realize…
and even when I drop down inside of me because of you,
I won’t be surprised…

I’m just little guy who see my paradise when you’re around
I’m the only unconscious little man with big hope when you sing deep through my ears
I’m the only one who just left all my ego to be someone who might be on your dream…
I’m just ordinary person who want to bring his angel to her highest point of her life
I’m just the only ugly me…

Dear, just let it flows
let it flows until the end of your destination
no matter where I am
I’ll always near you around…

©HfM 2009

Theme And Style of the Story

Theme

The theme of a story is often abstract and not addressed directly in the narrative. It is imparted to the story by the concrete events occurring in the story.

Style

Style is the way the writer uses language. The longer the work the less important language becomes. Above all, the writer’s work must tell a story. The writer should not be more concerned with the words used than with the story the writer is trying to tell. Don’t be a fanatic about words. The language is less important than character and plot. However, a combination of a good story and good English will be a delight to read.

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Component of The Story – Point of View

Fifth part of major components of the story is Point of View.

First person point of view has the main character telling the story or a secondary character telling the main character’s story. Everything that happens in the story must be seen or experienced by the character doing the narration. The reader’s judgment of other characters in the story will be heavily influenced by the narrator. This can be very limiting. Also, a story written in first person usually means that the main character won’t die in the story. However, first person point of view gives a sense of intimacy to the story.

Third person point of view can be objective or omniscient. An objective narrator describes actions but not the inner thoughts or feelings of the characters. An omniscient narrator can describe all the actions of all of the characters but also all of their inner thoughts and feelings as well.

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Component of the Story : Dialogue

Forth part of major components of the story is Dialogue.

Dialogue makes fiction seem real. However, dialogue that copies reality may actually slow down a story. Avoid unnecessary or repetitive dialogue.

Dialect in dialogue can be difficult to read. A small amount of it can be used to establish the nature of a character, but overuse will intrude on the story. The level of use of language by the characters- pronunciation, diction, grammar, etc.- is often used to characterize people in a story. Most often the main characters use the best English.

Profanity and vulgarisms can be used where they seem appropriate. Overuse amounts to author intrusion and can interrupt the reader’s belief in the story.

Too much exposition through dialogue can slow down a story. Characters should not repeat in dialogue events which have already happened in the story.

Also, one character should not tell another character what the second character should already know just so the writer can convey information to the reader. The conversation will sound implausible: author intrusion. The information can be conveyed in simple narration or by having a knowledgeable character explain something to another character who reasonably should not know the information already.

The form of dialogue should be varied to keep the reader interested. However, don’t try to find too many different ways to say “said.”

Interior dialogue is what a character is thinking. Dramatic dialogue is a character thinking out loud, without response from other characters. Indirect dialogue is the narrator telling what a character said.

Dialogue should be used to develop character or to advance the story. It should not be used just to hear characters talk.

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Setting of the Story

Third part of major components of the story is Setting.

Setting includes the place and time in which the story takes place. The setting should be described in specifics to make the story seem real, to set the atmosphere and mood of the story, to place limitations on the characters, or to help establish the basic conflict of the story. Weather can be an important part of setting.

The setting can be used for contrast, having something taking place in an unexpected place. Also, the more unfamiliar the reader is with the setting, the more interesting the setting.

Characters Inside The Stories

Second part of major components of the story is characters.

The reader should be able to identify with and care about the characters in the sense that the characters seem real to the reader. The characters must do something, and what they do must seem reasonable for them to have done it.

Characters should be introduced early in the story. The more often a character is mentioned or appears, the more significance the reader will attach to the character. Also, the main character should be introduced before setting, so that the setting can be introduced from the point of view of the character.

The nature of characters can be brought out through minimal description and the actions, thoughts, and dialogue of the characters. The writer should allow the reader to make judgments about the characters; the writer should avoid making the judgments for the reader. The feelings of the character should be demonstrated rather than told by the narrator.

Yet, there are some very good stories in which much of the narration is about a character’s feelings and thoughts or in which the narration goes into great detail and analysis of a character’s feelings and thoughts at some point. So one rule about writing is that there are no rules, or maybe: If it works, it works.

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Component of The Stories – PLOT

First major components of the stories is plot. Plot is all the events of a story particularly rendered towards the achievement of some particular artistic or emotional effect. Plot is what the story’s general theme based on.

Here are the structure of the plot itself:

  1. Exposition. The part usually presented in the beginning of the story. Including the introduction of the characters and setting.
  2. Conflict. The clash between two or more opposing groups. One character may face themselves, another person, nature, society or anything with an opposing thoughts.
  3. Rising Action. Build suspense and leads to the climax. Protagonist usually found new company, learn something or facing additional enemy for himself.
  4. Falling Action. Is part of the story following the climax. Also known as anti climax because it takes away climax from the story. This part is showing the result of the climax that affects the character as well as setting.
  5. Resolution. Climax is ended and the story is concluded. Conflicts has been resolved and the tension is released. Not all the stories have the resolution.

The second part of the components is characters which will be discussed in the next post.

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